I
AM
motion
graphic
motion
graphic
motion
graphic
motion
graphic
designer
designer
designer
designer
ABOUT ME
I’m Lise, a Paris-based motion and graphic designer, open to both local and international projects. Over the past three years, I worked as a motion and graphic design apprentice on Le Magazine de la santé, a French television program.
I hold a Master’s degree in 2D–3D Motion Design and Art Direction and I am currently seeking new professional opportunities, while continuing to collaborate on selected projects with Le Magazine de la Santé.
I’m Lise, a Paris-based motion and graphic designer, open to both local and international projects. Over the past three years, I worked as a motion and graphic design apprentice on Le Magazine de la santé, a French television program.
I hold a Master’s degree in 2D–3D Motion Design and Art Direction and I am currently seeking new professional opportunities, while continuing to collaborate on selected projects with Le Magazine de la Santé.
01
what i do
skills
skills
skills
skills
MOTION DIRECTION
ART DIRECTION
MOTION DESIGN
GRAPHIC DESIGN
VIDEO EDITING
02
vision to motion
vision
vision
vision
vision
From concept to final delivery, I direct and produce my motion films.
I shape both the visual universe through art direction and the film’s movement through motion direction, defining rhythm, timing, and sound from the storyboard and animatic stages through to animation and post-production.
From concept to final delivery, I direct and produce my motion films.
I shape both the visual universe through art direction and the film’s movement through motion direction, defining rhythm, timing, and sound from the storyboard and animatic stages through to animation and post-production.
03
How I work
craft
craft
craft
craft
My motion design process begins with a concept, developed through visual research and moodboards. Storyboards and animatics allow me to sculpt the film’s structure and pacing before designing and animating the stillframes.
Each project is then refined in post-production through editing, visual effects, and sound design, ensuring a cohesive and expressive final piece.
My motion design process begins with a concept, developed through visual research and moodboards. Storyboards and animatics allow me to sculpt the film’s structure and pacing before designing and animating the stillframes.
Each project is then refined in post-production through editing, visual effects, and sound design, ensuring a cohesive and expressive final piece.